Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Place de la Concorde oil painting


Place de la Concorde
mk235 1876 Oil on canvas 79x118cm
Painting ID::  54003
Edgar Degas
Place de la Concorde
mk235 1876 Oil on canvas 79x118cm
   
   
     

Edgar Degas Singer with A Glove oil painting


Singer with A Glove
mk235 1878 Oil on canvas 52.8x41.1cm
Painting ID::  54019
Edgar Degas
Singer with A Glove
mk235 1878 Oil on canvas 52.8x41.1cm
   
   
     

Edgar Degas The Star or Dancer on the Stage oil painting


The Star or Dancer on the Stage
mk235 c.1876-1878 Oil on canvas 58x42cm
Painting ID::  54025
Edgar Degas
The Star or Dancer on the Stage
mk235 c.1876-1878 Oil on canvas 58x42cm
   
   
     

Edgar Degas Dancer with Bouquet oil painting


Dancer with Bouquet
mk235 c.1878-1880 Oil on canvas 40x50cm
Painting ID::  54026
Edgar Degas
Dancer with Bouquet
mk235 c.1878-1880 Oil on canvas 40x50cm
   
   
     

Edgar Degas Dancer with Bouquet oil painting


Dancer with Bouquet
mk235 c.1877/78 Oil on canvas 72x77.5cm
Painting ID::  54027
Edgar Degas
Dancer with Bouquet
mk235 c.1877/78 Oil on canvas 72x77.5cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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